Trevor is unemployed. He spends his days hiding away in his allotment shed, painting figures for his wargames with his agoraphobic pal, Graham, and fantasizing of his heroic alter-ego, the battle mage Casimir the Destroyer. When one of the other allotment renters, Mr Parsons, requests to have Trevor removed from his sham of a plot (he's not there to grow anything!), an argument erupts, leaving Trevor with a corpse to hide. Unfortunately, Trevor's misfortune coincides with the zombie apocalypse, and Mr Parsons' reappearance is only the start of his woes. More immediate is the question of whether he should try to save his wife and her lovely best friend, who he and Graham both adore.
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Trevor is unemployed. He spends his days hiding away in his allotment shed, painting figures for his wargames with his agoraphobic pal, Graham, and fantasizing of his heroic alter-ego, the battle mage Casimir the Destroyer. When one of the other allotment renters, Mr Parsons, requests to have Trevor removed from his sham of a plot (he's not there to grow anything!), an argument erupts, leaving Trevor with a corpse to hide. Unfortunately, Trevor's misfortune coincides with the zombie apocalypse, and Mr Parsons' reappearance is only the start of his woes. More immediate is the question of whether he should try to save his wife and her lovely best friend, who he and Graham both adore.
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