In the fragmented opening we see snapshots of modern-day metropolitan life including the vicious knife murder of a woman of the street, devoted (or two presumably) by executive Marco. Outside the city, Marco runs a sprawling, sophisticated poultry ranch with his spouse, Anna, while rather young Gabrielle has a tendency to their secretarial requirements. Their rich existence produces all kinds of monstrosities including a plan to polish off Anna between the cheating Marco and Gabrielle, professional paranoia thanks to the dubious activity of the plant's advertising and marketing head, wrong dinner parties, and also an automated factory headache that leads to pulsating, David Lynchian chickens without heads or wings. Quickly all the deceptiveness and murderous outlining capped, though not quite in the method you 'd expect.
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In the fragmented opening we see snapshots of modern-day metropolitan life including the vicious knife murder of a woman of the street, devoted (or two presumably) by executive Marco. Outside the city, Marco runs a sprawling, sophisticated poultry ranch with his spouse, Anna, while rather young Gabrielle has a tendency to their secretarial requirements. Their rich existence produces all kinds of monstrosities including a plan to polish off Anna between the cheating Marco and Gabrielle, professional paranoia thanks to the dubious activity of the plant's advertising and marketing head, wrong dinner parties, and also an automated factory headache that leads to pulsating, David Lynchian chickens without heads or wings. Quickly all the deceptiveness and murderous outlining capped, though not quite in the method you 'd expect.
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