We spend the final hours of Pasolini's life with him, as he speaks with his loved ones, writes, gives a brutally honest interview, has a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Pasolini's life and art (represented by scenes from his films, his unfinished novel Petrolio, and his upcoming film Porno-Teo-Kolossal) are constantly refracted and interwoven throughout the action, to the point where they become one.
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We spend the final hours of Pasolini's life with him, as he speaks with his loved ones, writes, gives a brutally honest interview, has a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Pasolini's life and art (represented by scenes from his films, his unfinished novel Petrolio, and his upcoming film Porno-Teo-Kolossal) are constantly refracted and interwoven throughout the action, to the point where they become one.
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